In Antechamber, Holly Shepheard presents a series of small, vibrant ink and resin paintings on gesso substrates. These pieces are more concentrated and intimate than Shepheard’s previous works. They also take us under the microscope to imagine things not normally visible to the naked eye. Their forms allude to cells, veins, placenta, genetic codes and tissue, but they could just as easily be representations of jellyfish and sea anemones or floating fragments of exploded stars.
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